Panel 3: Immersion (I): sense and emotion
(1-11 September 2020)
Timothy McNeil
(University of California, Davis, US)
Smoke and mirrors:
the art of deception and the exhibition designer’s box of tricks
Like our minds, exhibitions play tricks on us. Following in the footsteps of entertainers, sideshow carneys, escape artists, magicians and stagecraft technicians, exhibit designers incorporate illusion and deception to wow audiences and reinforce messages using a dose of fantasy and wonder. more…
Kate Hill
(University of Lincoln, UK)
‘Chilly tombs’ or ‘communion with the past’? S
taging objects as dead or alive in early twentieth-century museums
From around 1900, some museums, curators and collectors started to display their historical objects in very different ways, deliberately rejecting conventional exhibition design in order to create environments which more directly replicated ‘life’ in the past. more…
(1-11 September 2020)
Izabela Derda, Zoi Popoli
and
Tom Feustel
(Erasmus School of History, Culture and Communication, Rotterdam, The Netherlands)
From “just a collection of objects” to “only tech show off”:
grasping a change and unpacking design approaches
to multisensorial immersive exhibitions
In popular discourse, immersive exhibitions are often (and almost exclusively) associated with extensive use of new technologies and a high level of visuality. What is overlooked is the fact that immersive technologies are implemented to bring forth the narrative of the exhibition. more…
Barbara Fahs Charles
(Staples & Charles, US)
Total immersion: taking viewers on a journey
This paper, from the designer’s perspective, addresses several aspects of the conference, especially collaborative working, material culture, emotion and affect, and responsibilities. more…
Viveka Kjellmer
(University of Gothenburg, Sweden)
Smelling exhibitions: scented scenographics and olfactory communication in the museum
How can something invisible, like a smell, be exhibited and understood as meaningful in a museum? In this presentation, I focus on the meaning of scent as art, as exhibited artefact, and as an experience-heightening scenographic agent to create a multisensory whole in the museum. more…
To post questions or comments on the presentations, click on Add topic . You can also post to existing topics, by clicking on the topic title. Posts can be addressed to individual presenters, or to the panellists as a group.
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Smoke and mirrors, magic and modernity
First post and replies | Last post by Tim Satterthwaite, 1 year ago
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Question to all panellists : Including Emotions in Evaluation of Immersive Experiences
First post and replies | Last post by Izabela Derda, 1 year ago
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'Chilly tombs’ or ‘communion with the past’?
First post and replies | Last post by Mark Liebenrood, 1 year ago
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By Mark Lieb...1 year ago