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Evoluon 2 (crop 1)

Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 2 (crop 1)
Britain Can Make It 1 (crop 1)

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 1 (crop 1)
Taiwan 1 (crop 1)

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 1 (crop 1)
Britain Can Make It 2 (crop 1)

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 2 (crop 1)
Taiwan 2 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 2 (crop 1)
Exhibition 1

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Exhibition 1
Taiwan 3 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 3 (crop 1)
B&BwFord

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

B&BwFord
Francisco 2 059

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Francisco 2 059
Festival of Britain 2 (crop 1)

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Festival of Britain 2 (crop 1)
Evoluon 1 (crop 1)

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 1 (crop 1)
PhotographyandtheCityinstallSI19681

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

PhotographyandtheCityinstallSI19681
Evoluon 3 (crop 1)

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 3 (crop 1)
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Panel 4: Collaboration

Panel 4: Collaboration in design

Sandra Kriebel (Technische Universität Berlin, Germany)
Gesamtwirkung’: Wilhelm von Bode’s design for the exhibition of Old Master paintings (1883) as a model for future museum practice

In January 1883, later museum director Wilhelm Bode and an assisting committee of 15 art historians, collectors and state officials arranged an exhibition of Old Master paintings in celebration of the 25th wedding anniversary of Crown Prince Frederick of Prussia and Victoria, Princess Royal. more…

This presentation was available for the period of the conference only
(1-11 September 2020)

Sara Woodbury (William and Mary College, USA)
Exhibition work: labor networks in the Federal Community Art Center Project

The Federal Community Art Center Project represented one of the most ambitious arts-related initiatives of the New Deal, a series of reforms intended to alleviate the economic hardships of the Great Depression in the United States. more…

Kate Rhodes (RMIT Design Hub Gallery/Monash University, Australia)
Exhibition architecture as curatorial argument

In exhibitions of architecture and design, exhibition design is perhaps inevitably foregrounded. Indeed, in large-scale exhibitions and large institutions such exhibition design may be more appropriately called exhibition architecture. more…

Marina Khémis (National School of Architecture of Versailles, ENS Paris-Saclay/ENSCI-Les Ateliers  –  Studio Adrien Gardère)
Exhibition design and architecture, inside co-creative processes: The Autun Museum in Burgundy and the Swedish Pavilion at EXPO 2020 Dubai

Today’s design process of museums and exhibitions involves a great diversity of actors and specialists forming a unique network of collaborators focusing on the visitors’ experience. more…

David Francis (University College London, UK), Luo Pan (Chinese National Museum of Ethnology, China) and Lisheng Zhang (University College London, UK, and PKU Beijing, UK)
Craft and creativity: (re)making exhibition design in China’s museum boom

Using the Chinese National Museum of Ethnology as a case study, our paper explores how the design language of the Creative Economy has proven to be an important source of inspiration for Chinese exhibitions in the first decade after China’s museum boom. more…

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Q&A, Panel 4

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