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Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

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Panel 13: Designing for collections (II)

Panel 13: Designing for collections (II):
Fashion, photography, decorative arts

This presentation was available for the period of the conference only
(1-11 September 2020)

Marlene Van-de-Casteele (National School of Decorative Arts (ENSAD)/Atelier Chardon Savard, France)
Fashioning Beaton Portraits:1928-1968 exhibition

This paper focuses on the Beaton Portraits:1928-1968 exhibition held at the National Portrait Gallery in London (November 1968 – March 1969). As the retrospective of the British photographer’s 40 years’ career, this exhibition represents a major case in the history of photography – and fashion photography, more…

This presentation was available for the period of the conference only
(1-11 September 2020)

Jihane Dyer (Royal Holloway, University of London/Museum of London, UK)
Re-fashioning the London Museum: the making of Mary Quant’s London, 1973

Mary Quant’s London (1973) was the final exhibition to be held at the London Museum. Presenting the remarkably recent work of the Swinging London fashion designer against a backdrop of post-war urban change, it was staged on the eve of a pivotal transformation for the sixty-year-old institution housed in Kensington Palace. more…

Lucie Lachenal (Independent)
Reconstructing the exhibitions of the Royal Manufactory of Sèvres through the archives (1814-1850)

In 1814, Alexandre Brongniart, the director of the Royal Porcelain Manufactory of Sèvres, asked the Count of Blacas for permission to re-establish a tradition of the Ancien Régime: exhibitions and sales of Sèvres porcelain in the King’s apartments on New Year’s Day. more…

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Q&A, Panel 13

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Theatricality of display

First post and replies  | Last post by Jihane Dyer, 2 months ago

49
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Re-fashioning the London Museum: the making of Mary Quant’s London, 1973

First post and replies  | Last post by Jihane Dyer, 2 months ago

22
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Sèvres archives

First post and replies  | Last post by Lucie Lachenal, 2 months ago

24
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Fashioning Beaton Portraits:1928-1968 exhibition

First post and replies  | Last post by Annebella Pollen, 2 months ago

37
3