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Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

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Teaching Resources

Teaching Resources

This page includes module documents and other teaching resources related to museum exhibition design history. If you have any additional recommendations, please let us know through the ‘Contact Us’ function

‘Museums, Material Culture and Representation’ module document, developed by Claire Wintle, University of Brighton, is an undergraduate module that explores a range of issues in museum practice, but focuses on the recent history of temporary exhibitions in the Global North of objects from Africa, Oceania, Asia and North America.

‘Critical Perspectives on Exhibitions’ module document, developed by Megha Rajguru, University of Brighton, is a postgraduate module that supports students to critically evaluate the strengths and weaknesses of exhibitions, and conduct independent research into its design, curation and methodological approach.

Public lecture course from the Paul Mellon Centre for British Art on ‘Thinking about Exhibitions: Interpretation, Reconstruction, and Curation’, featuring recorded lectures.