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Evoluon 2 (crop 1)

Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 2 (crop 1)
Britain Can Make It 1 (crop 1)

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 1 (crop 1)
Taiwan 1 (crop 1)

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 1 (crop 1)
Britain Can Make It 2 (crop 1)

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 2 (crop 1)
Taiwan 2 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 2 (crop 1)
Exhibition 1

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Exhibition 1
Taiwan 3 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 3 (crop 1)
B&BwFord

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

B&BwFord
Francisco 2 059

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Francisco 2 059
Festival of Britain 2 (crop 1)

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Festival of Britain 2 (crop 1)
Evoluon 1 (crop 1)

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 1 (crop 1)
PhotographyandtheCityinstallSI19681

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

PhotographyandtheCityinstallSI19681
Evoluon 3 (crop 1)

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 3 (crop 1)
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Question to all panellists : Including Emotions in Evaluation of Immersive Experiences

 

Susana Sanchez-Gonzalez
 Susana Sanchez-Gonzalez
Joined: 1 year ago
Posts: 4
Topic starter  

Thanks everyone for your presentations on immersive technologies, emotion and design. I'm working my way through them and really enjoying what I hear and see. I have a question though, which pertains to the evaluation of these exhibitions. Has anybody specifically included the emotional responses elicited during these immersive experiences as a parameter in their evaluation strategies? How? And if you have, which model/framework have you used to analyse this data? Is there any relevant literature/studies that I should check in this respect? Apologies if this is something you may have covered at some point in your presentations - as I said, I'm still working my way through them, but I didn't want to forget! Many thanks in advance for your responses.


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Claire Wintle
 Claire Wintle
Admin
Joined: 2 years ago
Posts: 55
 

Hi Susana, UCL has a resource on measuring wellbeing that might be helpful, and the Happy Museum project is interested in emotions in museum participants, which you may be interested in. Best wishes, Claire


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Susana Sanchez-Gonzalez
 Susana Sanchez-Gonzalez
Joined: 1 year ago
Posts: 4
Topic starter  

@claire-w Thank you. This is really useful!

 


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Izabela Derda
 Izabela Derda
Joined: 1 year ago
Posts: 3
 

Dear Susana,

As a part of our project at EUR next year (hopefully), we'll be testing AI-driven emotions recognition systems (adapting some solutions existing in other sectors). We aim to see how it can support both evaluation and co-design. Best, Izabela


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Susana Sanchez-Gonzalez
 Susana Sanchez-Gonzalez
Joined: 1 year ago
Posts: 4
Topic starter  

@imd Sounds fascinating! I'll make sure to keep an eye on your project. Any particular way to do this?


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Izabela Derda
 Izabela Derda
Joined: 1 year ago
Posts: 3
 

@thetravellinglibrarian the project's website should be up by the end of the year. For now, I would suggest connecting on Research Gate ( https://www.researchgate.net/project/Smartification-of-audience-experience-Design-and-implementation-practices-around-co-design-and-application-of-data-and-AI-into-content-experience-for-creative-industries).
Thank you for interest in our project!
I.


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