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Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

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Keynotes

Keynotes

This presentation was available for the period of the conference only
(1-11 September 2020)

Suzanne MacLeod, University of Leicester, UK
Museums and design for creative lives

Suzanne MacLeod is Professor of Museum Studies at the School of Museum Studies, University of Leicester, UK. Suzanne trained and worked as a graphic designer before moving into academia, and now leads the field in the study of historic and contemporary museum and exhibition design. more…

Andrea Witcomb, Deakin University, Australia
From representing the ‘other’ to representing collective selves and their engagement with ‘others’: exhibition design and the poetics of ‘voice’

Andrea Witcomb is Professor of Cultural Heritage and Museum Studies at Deakin University, Australia. A former social history curator, Andrea’s prolific scholarship has been seminal in establishing museums as spaces of interactivity, affect and community, and in challenging the focus on governmentality in Museum Studies. more…

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