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Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

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Panel 14: Exhibition afterlives

Panel 14: Exhibition afterlives:
design histories and future practice

Lisa Newby (Sainsbury Centre for Visual Arts, UK)
The Living Area at the Sainsbury Centre: looking back to look forward  

The distinctive display of the Sainsbury Collection in the ‘Living Area’ at the Sainsbury Centre for Visual Arts in Norwich encourages close looking, discovery and an engagement with works from a wide range of times and places. more…

Eric Langham (Barker Langham, UK) and Colin Sterling (University College London, UK)
Resonant exhibitions: when interpretation becomes artefact

Many exhibition histories continue to resonate in the present. This can be felt most clearly in large scale permanent exhibition and museum developments, many of which appear – on the surface at least – to have been altered little in decades or even centuries. more…

Matt Isble (Crocker Art Museum, US)
Fostering institutional knowledge in exhibit design, fabrication, and installation

Maintaining institutional knowledge and fostering innovation is a perennial problem for any business, museums of any size and type included. This session will focus on those that take an exhibit across the finish line; from the design, to the installation, to the educational components. more…

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Q&A, Panel 14

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