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Evoluon 2 (crop 1)

Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 2 (crop 1)

Britain Can Make It 1 (crop 1)

Mural in the Furnished Room, Britain Can Make It , V&A, London, 1946
UoB Design Archives

Britain Can Make It 1 (crop 1)

Taiwan 1 (crop 1)

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 1 (crop 1)

Britain Can Make It 2 (crop 1)

Tea Bar, Britain Can Make It , V&A, London, 1946
UoB Design Archives

Britain Can Make It 2 (crop 1)

Taiwan 2 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 2 (crop 1)

Exhibition 1

Construction of exhibition space,
Britain Can Make It , V&A, London, 1946
UoB Design Archives

Taiwan 3 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 3 (crop 1)

B&BwFord

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Francisco 2 059

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Francisco 2 059

Festival of Britain 2 (crop 1)

Fashions Hall, Britain Can Make It , V&A, London, 1946
UoB Design Archives

Festival of Britain 2 (crop 1)

Evoluon 1 (crop 1)

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 1 (crop 1)

PhotographyandtheCityinstallSI19681

Installation view, Photography and the City ,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

PhotographyandtheCityinstallSI19681

Evoluon 3 (crop 1)

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 3 (crop 1)

Panel 14: Exhibition afterlives

Panel 14: Exhibition afterlives:
design histories and future practice

This presentation was available for the period of the conference only
(1-11 September 2020)

Lisa Newby (Sainsbury Centre for Visual Arts, UK)
The Living Area at the Sainsbury Centre: looking back to look forward

The distinctive display of the Sainsbury Collection in the ‘Living Area’ at the Sainsbury Centre for Visual Arts in Norwich encourages close looking, discovery and an engagement with works from a wide range of times and places. more…

Eric Langham ( Barker Langham, UK) and Colin Sterling (University College London, UK)
Resonant exhibitions: when interpretation becomes artefact

Many exhibition histories continue to resonate in the present. This can be felt most clearly in large scale permanent exhibition and museum developments, many of which appear – on the surface at least – to have been altered little in decades or even centuries. more…

Matt Isble (Crocker Art Museum, US)
Fostering institutional knowledge in exhibit design, fabrication, and installation

Maintaining institutional knowledge and fostering innovation is a perennial problem for any business, museums of any size and type included. This session will focus on those that take an exhibit across the finish line; from the design, to the installation, to the educational components. more…

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Q&A, Panel 14

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Resonant exhibitions: when interpretation becomes artefact

First post and replies | Last post by Colin Sterling, 1 year ago

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Resonant exhibitions: when interpretation becomes artefact

First post and replies | Last post by Colin Sterling, 1 year ago

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Resonant Exhibitions: When Interpretation is Artifact

First post and replies | Last post by Colin Sterling, 1 year ago

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Recognition for the field of exhibition making and creative excellence

First post and replies | Last post by Matt Isble, 1 year ago

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Histories for Futures (Lisa Newby)

First post and replies | Last post by Lisa Newby, 1 year ago

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