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Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

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Panel 10: Interviews

Panel 10: Interviews with exhibition makers

Jon Ould (British Museum, UK), interviewed by Kate Guy (University of Brighton, UK)

In conversation with Kate Guy, Jon Ould will reflect on his career as an exhibition designer to examine the changes and continuities of the role and its practices and processes. more…

Nima Poovya Smith (Independent, UK), interviewed by Hajra Williams (University of Brighton, UK)

An insightful look at exhibition making, negotiation and relationship building between national and local authority museums, between curators and between the museum and the community. more…

Alex McCuaig (MET Studio, UK), interviewed by Chris White (Winkle-Picker/University of Wollongong, Hong Kong)

Using a qualitative approach to examine illustrative case studies from MET Studio’s portfolio of projects over four decades, the aim is, in conversation with Mr McCuaig, to present a critical account of the evolution of museum and exhibition design from the early 1980s to the present day. more…

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Q&A, Panel 10

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