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Evoluon 2 (crop 1)

Evoluon, Eindhoven, 1968

Evoluon, Eindhoven, 1968

Science and technology exhibition, Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 2 (crop 1)
Britain Can Make It 1 (crop 1)

Mural in the Furnished Room, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 1 (crop 1)
Taiwan 1 (crop 1)

Sketch of exhibition layout,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 1 (crop 1)
Britain Can Make It 2 (crop 1)

Tea Bar, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Britain Can Make It 2 (crop 1)
Taiwan 2 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 2 (crop 1)
Exhibition 1

Construction of exhibition space,
Britain Can Make It, V&A, London, 1946
UoB Design Archives

Exhibition 1
Taiwan 3 (crop 1)

Interior view,
National Museum of Natural Science, Taiwan, 1986-88
UoB Design Archives

Taiwan 3 (crop 1)
B&BwFord

President Ford, Robert Staples, and Barbara Fahs Charles
with model of the "Levitating White House," for the Ford Museum, 1980
Staples & Charles

B&BwFord
Francisco 2 059

Sketch of Australia section,
Commonwealth Institute, London, c. 1961
UoB Design Archives

Francisco 2 059
Festival of Britain 2 (crop 1)

Fashions Hall, Britain Can Make It, V&A, London, 1946
UoB Design Archives

Festival of Britain 2 (crop 1)
Evoluon 1 (crop 1)

Gallery view of The Senster,
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 1 (crop 1)
PhotographyandtheCityinstallSI19681

Installation view, Photography and the City,
Smithsonian Institution, Washington DC, 1968
Staples & Charles

PhotographyandtheCityinstallSI19681
Evoluon 3 (crop 1)

General view
Evoluon, Eindhoven, 1968
UoB Design Archives

Evoluon 3 (crop 1)
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Re-fashioning the London Museum: the making of Mary Quant’s London, 1973

 

Annebella Pollen
 Annebella Pollen
Joined: 1 year ago
Posts: 18
Topic starter  

Dear Jihane 

What an excellent presentation! I learned a lot about the history of MoL that I didn’t know even though it has a collection that I’ve used a lot.
I was struck by the revivalism and nostalgia of the final room. I wondered if you might find it useful to position it in relation to the 1970s retro styles that are pithily encapsulated in Peter York’s BBC4 playful programme, The 1970s Edwardian Revival (check Box of Broadcasts). See also Raphael Samuel’s retrochic chapter in Theatres of Memory. 
Well done on a great presentation, again,

Bella


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Jihane Dyer
 Jihane Dyer
Joined: 1 year ago
Posts: 3
 

Dear Bella, 

Thanks so much for your kind comments (and apologies for the delayed response!). 

You're right - it really does seem to shift position after the window-type displays. I've been trying to find something that places the Edwardian revival in context so I can't thank you enough for your suggestions! Also love digging around BoB...

Best wishes, 

Jihane


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